James Brown's Funky People's
'Greatest Breakbeats'
Universal/Polydor
Released April
2006
Hot on the heels
of Brown's own set of awesome 45's breakbeats a while back, Universal
Music bring you another slice of James Brown produced goodies this time
arranged for an array of similar minded funksters of the early to mid
seventies. Whilst JB was the master of the funk groove himself he
wasn't satisfied to keep it all for himself and instead launched the US
People label in the US for the likes of Lyn Collins, The JB's, and
Maceo Parker the result of which brought a new, yet familiar
groove the worlds dancefloor's via some neat nagging funk grooves
that had record collectors begging for more.
The earliest examples appeared on the UK Mojo label in 1972
(distributed and marketed by the respected Blues & Soul magazine)
bringing such gems as 'These Are The JB's' as well as titles from Marva
Whitney and Lyn Collins. Brown's formulae was much sampled in later
years yet never quite rivaled the original thing and often his sides
were long overdrawn funky workouts often spread out over both sides of
the single. Check out the irresistible 'Same Beat' from the
aforementioned JB's to see what I mean - simple yet devastatingly
effective and this track has the Reverend Jesse Jackson sampled from
his appearance at Wattstax in 1973 chanting "I Am Somebody" complete
with live crowd - amazing!!.
The JB's were responsible for further grooves over the next couple of
years including 'Gimme Some More' and 'Pass The Peas' confirming that
it what was in the groove rather than in the title that mattered. The
nation's dancefloors across the US revelled in these extra artists
using Brown's successful formulae but here in the UK on certain
releases caught on in the same way leaving it almost fifteen years
before the mad scramble to pick up these now rare groove sides which
were commanding silly money especially Maceo's 'Cross The Tracks'.
Whilst the groove rules on these songs one must not forget the raw
power and sheer talent of some of the artists here especially Lyn
Collins and Marva Whitney who could also deliver a blinding ballad or
two when the need arises although its fair to say that they ruled
supreme with the masters of funk behind them. You may recall James
Brown's 'Soul Power' from 1974 well have a listen at Maceo Parkers
brass laden instrumental to see how this great floor filler continues
the legacy and wins new fans worldwide.
Brown's sidekick through the 60's Bobby Byrd had his moment of glory in
1974 when his uptempo single release 'I Know You Got Soul' got a UK
release on the Seville label and enjoyed some success with this release
in certain upfront clubs here in the UK and like Brown this song
(centered on a single guitar lick and Funky Drummer sample) became a
samplers delight in almost twenty years later.
My own favourite from this set has to be 'Think' from the
aforementioned Ms Collins which boasts the most danceable and
commercial track on the CD featuring JB himself on background vocals
and a stunning bass line and haunting sax playing throughout - simply
brilliant.
This set makes an essential purchase for those who love to experiment
with original material and hip hop DJ's who will find plenty to party
with, or for those just wishing to explore that James Brown groove of
the 70's.
Rating 8/10